![]() ![]() ![]() "We're not asking bosses to step down or compromise when it comes to talent. And it’s even easier to try to say that diversity is about bringing in less talented people, when we know that’s not the truth. They aren’t going to say, “Maybe your work sucks and that’s why you’re not getting hired.” It’s easier to make it about “other people” taking up their space. And thank God for the research that counters this.Īlso, a lot of times, reps don’t want to be honest with their clients, so they cover themselves by not having those hard conversations. They are these personal experiences to describe an entire system and world to make excuses as to why they don’t have what they believe they’re entitled to. HB: Yet, we continue to hear these ridiculous stories from male directors and writers, mostly white, crying that their agents told them they couldn’t get hired or staffed because “women and people of color are getting all the jobs.” How can this perspective exist when we have this data saying the exact opposite? There’s nothing surprising about this report, especially if you’re actually paying attention, and see what’s going on in the industry. HB: Rust Creek dropped shortly after a San Diego State study found that female filmmakers helmed only 8 percent of the 250 highest-grossing films of 2018, down from 11 percent in 2017. The world is accommodating to them, not the other way around, and their films often reflect that perspective. And that’s not to say that can’t have this skill too, but no one is forcing them to. That ability makes us more empathetic and more able to see the world in a complex way, and our films and our characters reflect that that world. They often ask themselves, “What do I have to do in order to succeed? What do I have to do to survive?” That necessity of observing your surroundings hones your to see the world fully. Knowing that, the non-dominant is always paying attention to those in power and what is going on around them. They make the rules they have the power and the control. So, the dominant group in society doesn’t necessarily have to pay attention to the non-dominant group-women, people of color, the LGBTQ community, etc. Horror can also be about stress, anxiety, and a fear." HB: The men in the film, especially Lowell, are fleshed out, which is interesting because often, female directors add layers and dimensions to male characters in ways that too many male directors (minus Barry Jenkins and Ryan Coogler, of course), won’t do for female characters. "Horror doesn’t have to be about ghosts or blood. ![]() From here, I was able to make her real, which is the test: How can we create complex characters that are not stereotypical and have a multidimensional perspective we can relate to? She’s savvy and knows her boundaries and just wants a better life. I kept telling myself, “Oh I can make this work.” I understood those tiny beats, her motivation and who she actually was. I remember reading the script, and was so drawn in. YouTube Icon YouTube Icon HB: Were you attracted to this film because of the empowering heroine? sat down with the driven filmmaker to talk about her captivating second feature film, the new trend of inclusion riders, and the difficulties of navigating an industry mostly run by white men. Given the current climate in Hollywood, a feminist thriller like Rust Creek-which was created by a female screenwriter, director, and cinematographer-is not only right on time, but exactly what we need. Yes, Lowell (Jay Paulson) lends a hand by trying to shield her from harm’s way, but it’s pretty obvious that Sawyer is fully capable of saving herself-one dropkick, punch, and stab at a time. But while the co-ed is definitely in distress, she’s nobody’s damsel. After a wrong turn leaves her stranded in the icy woods without GPS or cell service, Sawyer is left to face wintery elements and a duo of thuggish locals who don’t have her best interest in mind. When college student Sawyer (Hermione Corfield) lands an interview for her dream job, she has to drive alone to get to it. This terrifying tale has the audacity to take place in broad daylight, in the backwoods of a rural Kentucky town that's caught in the crosshairs of the opioid epidemic. Director Jen McGowan’s new film, Rust Creek, breaks free from those restraints. For too long, the horror genre has been defined by repeating tropes: There has to be an element of the supernatural, blood and guts, or a serial killer lurking in the dark in order to get that genre stamp of approval. ![]()
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